popeye the sailor

& M. TV Corporation acquired the majority of all theatrical shorts. [2], The music of Popeye is described as a mix of "sunny show tunes and music from the street. [12] While most of the Paramount Popeye catalog remained unavailable on VHS tape, a handful of shorts fell into the public domain and were found on numerous low-budget VHS tapes and DVDs. [16] Three volumes were produced between 2007 and 2008, released in the order the cartoons were released to theaters. [2] Credited animators are therefore listed for each short. [12] Turner Entertainment (via current owner WarnerMedia) therefore currently controls the rights to the Popeye shorts. The Beginning of Popeye the Sailor Man. Spinach became a main component of the Popeye cartoons and were used for the energetic finale in each. "Wimpy" redirects here. This film was made for theaters that participated in Paramount's weekly Popeye Fan Club meetings. had, for the most part, replaced the original Paramount logos with their own. This is a list of the 109 cartoons starring Popeye the Sailor, produced from 1933 to 1942 by Fleischer Studios for Paramount Pictures.. During the course of production in 1941, Paramount assumed control of the Fleischer studio, removing founders Max and Dave Fleischer from control of the studio and renaming the organization Famous Studios by 1942. U.M. Segar. The first volume was included, either erroneously or through somewhat fraudulent means, in a batch of boxed sets sold in discount outlets for $3 or less in the summer of 2009. Popeye does not eat spinach, as he finds his can empty. Sailor. The restored Popeye Show versions of the shorts are sometimes seen at revival film houses for occasional festival screenings. Popeye began to sell more tickets and became the most popular cartoon character in the country in the 1930s, surpassing Mickey Mouse. Segar, debuted in his King Features-distributed comic strip, Thimble Theatre. In 1940, they found themselves at odds with Paramount over the control of their animation studio. [2] The studio borrowed heavily from Paramount in order to move to Florida and expand into features, and Gulliver's Travels (1939) and Mister Bug Goes to Town (1941) were only moderate successes. In addition to Bluto's redesign to appear more plump, as well as dressed in a naval outfit, Some TV versions are edited for racial stereotyping of Japanese people, Final Fleischer cartoon with Popeye in his comic strip uniform, This page was last edited on 7 March 2021, at 19:38. [15], Popeye cartoons were never officially released in any form until the late 2000s. However, King Features put a high asking price on the Popeye cartoons. The opening horn pipe can be dated back to the 1700s and further as a traditional sea shanty. With William Costello, William Pennell, Bonnie Poe. The theatrical Popeye cartoons began airing on television in an altered form in 1956, at which point the Popeye theatrical series was discontinued in 1957. [8] In May 1941, Paramount Pictures assumed ownership of Fleischer Studios. In 1997 (by which time the Popeye cartoons had come under ownership of Turner), home video rights to the MGM film library were reassigned from MGM/UA Home Video to Warner Home Video. [7] Popeye lives in a dilapidated apartment building in A Dream Walking (1934), reflecting the urban feel and Depression-era hardships.[2]. Historians supervised the release as consultants, assuring no colorized versions of unrestored prints were used.[12]. [18] Popeye the Sailor: 1941–1943, Volume 3 was released on November 4, 2008,[19] and includes Popeye's three seldom shown wartime cartoons: You're a Sap, Mr. Jap (1942), Scrap the Japs (1942), and Seein' Red, White 'N' Blue (1943). The remaining three were two-reel (double-length) Technicolor adaptations of stories from the Arabian Nights billed as "Popeye Color Features": Popeye the Sailor Meets Sindbad the Sailor (1936), Popeye the Sailor Meets Ali Baba's Forty Thieves (1937), and Aladdin and His Wonderful Lamp (1939). a.a.p. The triangle between Popeye, Olive and Bluto was set up from the beginning and soon became the template for most Popeye productions that would follow. The series, which aired 135 Popeye shorts over 45 episodes, also featured segments offering trivia about the characters, voice actors, and animators. However, unlike the WB cartoons, a.a.p. Popeye the Sailor Man : Popeye The Sailor 1952-1954 [Remastered & Restored] Contains 12 classic Popeye cartoons from 1952-1954. "[2] It was obvious, however, that stars of a larger magnitude were being launched from animated cartoons, with the success of Mickey Mouse. Popeye was also given more family exclusive to the shorts, specifically his look-alike nephews Pipeye, Peepeye, Pupeye, and Poopeye. Several voice actors, among them Pinto Colvig (better known as the voice of Disney's Goofy), succeeded Gus Wickie as the voice of Bluto between 1938 and 1940. Final appearance of the "ship-door" opening segment, First appearance of the opening segment with Popeye's head and pipe. Staff songwriters would also write original songs for the shorts, such as in 1936's Brotherly Love and I Wanna Be a Lifeguard; the studio would hire outside songwriters to compose originals in addition. It was reported in 2002 that WB/Turner and King Features parent Hearst Corporation were working on a deal to release Popeye's cartoons on home video. Popeye also appeared in a 1934 short titled Let's Sing with Popeye which had recycled footage from the first Popeye cartoon and had no plot other than to allow the audience to sing along with Popeye via the famous bouncing ball. Many voice artists worked on the Popeye shorts over the two decades of production; this list is based on the most comprehensive artists. Film historian Leonard Maltin notes that the studio did not intend to make light of the war, but instead make Popeye more relevant with the times and show him in action. The first cartoon in the series was released in 1933, and Popeye cartoons, released by Paramount Pictures, would remain a staple of Paramount's release schedule for nearly 25 years. For other meanings, see Wimpy (disambiguation). Goldmark divides the Popeye theme into two parts: the sailor horn pipe and the lyrical portion. After acquisition, the black-and-white Popeye shorts were shipped to South Korea, where artists retraced them into color. The Popeye Show continued to air on Cartoon Network's spin-off network Boomerang. Paramount added to Popeye's profile by sponsoring the "Popeye Club" as part of their Saturday matinée program, in competition with Mickey Mouse Clubs. When the Cartoon Network began in 1992, they mostly ran cartoons from the MGM/UA library, which included Popeye. Episodes listed below.Greetings to all. Directed by Dave Fleischer, Seymour Kneitel. [10] Interstate was the TV subsidiary of Allied Artists at the time. the following year. Interstate Television began negotiating with Paramount and King Features for the TV rights to the Popeye cartoons. logo which replaces the original Paramount one. prints, which referenced Fleischer and Famous Studios and left Paramount's credits and copyright tags intact. Mae Questel, who started a family, refused to move to Florida, and Margie Hines, the wife of Jack Mercer, voiced Olive Oyl through the end of 1943. Dave Fleischer was the credited director on every cartoon produced by Fleischer Studios. The cartoon opens with a newspaper headline announcing Popeye as a movie star, reflecting the transition into film. Popeye's 20th Anniversary (1954) 06. [2] Paramount renamed the studio Paramount Cartoon Studios in 1956 and continued the Popeye series for one more year, with Spooky Swabs, released in August 1957, being the last of the 125 Famous shorts in the series. King was not sure what effect the cartoons would have on the strip; if the effect was very negative, King was very eager to erase any memory of the cartoons by destroying them. The Fleischers were big fans of jazz and would approach local jazz musicians to work on the cartoons, most of whom were more than happy to oblige. Volume One and Three of the series had the "Intended For Adult Collector And May Not Be Suitable For Children" advisory warning. The character was growing in popularity by the 1930s and there was "hardly a newspaper reader of the Great Depression that did not know his name. [9] Paramount fired the Fleischers and began reorganizing the studio, which they renamed Famous Studios. Tight on a budget, the producers took advantage of their free access to the Paramount music library, including hit songs that would be introduced in feature films. The first of WB’s Popeye DVD sets, covering the cartoons released from 1933 until early 1938, was released on July 31, 2007. These cartoons were seven B&W 1930s and 1940s cartoons, 24 Famous Studios cartoons from the 1950s (many of which fell to the public domain after the MGM/UA merger), and all three Popeye color specials (although some copyrighted Popeye cartoons turned up on public domain VHS tapes and DVDs). By the mid-50s, budgets at the studio became tight and staff downsized, while still producing the same number of cartoons per year. Popeye made his film debut in Popeye the Sailor, a 1933 Betty Boop cartoon. • Animated Views", Popeye DVD news: Popeye – Warner 'Retools', "Popeye DVD news: Early Info About Vol. The Popeye series, like other cartoons produced by the Fleischers, had an urban feel (the Fleischers operated in New York, specifically on Broadway a few blocks from Times Square), its manageable variations on a simple theme (Popeye loses Olive to bully Bluto and must eat his spinach and defeat him), and the characters' "under-the-breath" mutterings. Fleischer Studios produced 108 Popeye cartoons, 105 of them in black-and-white. The Fleischers moved their studio to Miami, Florida in September 1938 in order to weaken union control and take advantage of tax breaks. [12] In 1983, MGM/UA Home Video attempted to release a collection of Popeye cartoons on Betamax and VHS tapes titled The Best of Popeye, Vol. [2] Many cartoons, such as It's the Natural Thing to Do (1939), take their titles from popular songs of the time. His name is lost to history, but the Imperial War Museum lists him as “A Leading Stoker nicknamed ‘Popeye,'” with 21 years in service and fighting aboard the HMS Rodney in 1940. First use of the "anchor" end title design. [2] a.a.p. William Costello's last performance as the voice of Popeye, Song “I'm King of the Mardi Gras” written by, First cartoon where Popeye swallows more than one can of spinach, First and only Fleischer cartoon in which Olive Oyl eats Popeye's spinach in order to overcome her adversary, In the public domain in the United States. In 1955, Paramount put their cartoon and shorts library up for television sale. In 1933, Max and Dave Fleischer's Fleischer Studios adapted Segar's characters into a series of Popeye the Sailor theatrical cartoon shorts for Paramount Pictures. [2], For generations, the iconic Popeye theme song became an instantly recognizable musical bookmark, further propelling the character's stardom. In the UK, Popeye aired on Cartoon Network from 1993 to 2001 and on Boomerang from 2000 to 2005.

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