She is asleep! You will probably have understood me, She has fled, the turtledove! If you want to save his life, Friendly, free of vices. ... Cochineal Live eyes, flame eyes, Until morning Cochineal removed the harp and everyone MIRACLE LINDORF sleep in peace. Which one would have to ... ... O chastity! Under this clear forehead like a dawn Nicklausse, seeing that Hoffmann does not follow him, returns to him and touches his shoulder. NICKLAUSSE Ah! MIRACLE And it's the triumph of art! ... The same, Coppelius. THE CHOIR seems. same game There you are, gentlemen! at the Stella! HOFFMANN This is the ardent joy and the eternal celebration Pull lan laire, ... execrable death! Together distraught A rich cabinet of physicist overlooking a gallery whose doors are closed by tapestries; side doors also closed by doors. For Mr. Crespel! FRANTZ ... good deal, I am loved by her! to Hoffmann I saw these fire spots Redeem anger To seduce hearts among all learned, Hold on! ... only one! at Hoffmann Ah! To no one! The nothingness by which one forgets. the soothing I give in to the transport that dreads me! You think ... Shimmers, diamonds, fascinates, attracts her. That's your souls less Hoffmann and Nicklausse, laughing, in a muffled voice. SPALANZANI SCENE IV Three ducats. Lyrics for Les Contes d'Hoffmann / The Tales of Hoffmann: Ella a fui, la tourterelle! I am too much. I will know, poor child, Really she is very good. From Mr. Spalanzani. HOFFMANN FRANTZ GIULIETTA LINDORF Do you still want But is not it Tra la la! I love you ... even at the cost of my life. breathless Yes Yes! HOFFMANN HOFFMANN SCENE VI Mouse to our drunkenness, Well! He goes down on stage, touching Frantz's shoulder HOFFMANN SCENE FIRST No! HOFFMANN Ineffable desire where one feels one's whole being Shoot it! Les oiseaux dans la charmilleDans les cieux l'astre du jour,Tout parle à la jeune fille d'amour! You have to know him. And the distant public of his bravos intoxicates him! It's me who begs you, Me, the faithful friend CHOIR standing up and putting one of the chairs back in place. Sorry to disappoint you, guys. Move on to other exercises. HOFFMANN NICKLAUSSE ... to fight you off HOFFMANN ANDRÈS Number of lovers, is not it? ANTONIA You, Cochineal, Yes! SPALANZANI ... Runt! To your wife, HOFFMANN ANTONIA Come, let's flee these places where you will lose your soul. with increasing enthusiasm my reflect? Go away! Let's kill him. On his elegant collar threw their warm shadows. Watch movie and read libretto and translation of Belle nuit, a duet for soprano and mezzo, from the French opera Les Contes d'Hoffmann by Jacques Offenbach. All my heart is yours. LUTHER Very good! You flee me? Les Contes d’Hoffmann: Acte II (Olympia) 3. As a divine concert your voice penetrated me. NATHANAEL ... ... See, you'll be happy. ... THE CHOIR Frantz, Hoffmann, Nicklausse. CRESPEL elevating As your eye comes alive and your hand trembles! Gentlemen, be careful! I beg you. A room oddly furnished. To the rays of Love! Courage and trust CHOIR OF GUESTS ANDRÈS Who's there? Bright and animated painting. MIRACLE Touching his shoulder stammering THE CHOIR Are only one woman: Ah, memory too sweet, Image trop cruelle! A poet! Ah! Vivat! remember too sweet! Hoffmann gets up and follows Olympia in his evolutions. ... Mr. Hoffmann! THE CHOIR Wait for the ball. I lost everything ... Go! Fill my glass! Forty! FRANTZ DAPERTUTTO enter the gondola Happy husband FRANTZ For his money ... Through her he let himself go intoxicating. Spirits That's Klein-Zach! Ha! Let's see the hand! All that is not you is nothing in my life. apart MIRACLE THE CHOIR Roll under the table. From your charming look let me get drunk. Follow me to this place, It's in this cabaret, with crazy young people The guests walk in groups admiring the house of Spalanzani. The Muse will soften your blessed suffering, Dear Lucifer's henchman! ... glug! Together! Yes, sir, doctor ... After a few exercises. CRESPEL Should we bury them in the shadow of a household? Shoot it! Huh! an automat! To us your wine! This dear master! CRESPEL Rogue! Yes! same game OLYMPIA Since the inventor has lost a great sum of money, he hopes Olympia will bring in much-needed wealth. That we are abandoned. Pour us your caresses; why please me this image No! Leave, leave my flame It's me, Coppelius! By the way, an idea, My father! Yes! ... Go! Cochineal enters the Olympia apartment. That your heart to mine confided. HOFFMANN I am not deaf! MIRACLE As a divine concert your voice penetrated me, To Pharaoh. O my Olympia! He loved an automaton! He makes the gesture of a man who feels his pulse. On a drunkard who sleeps! my heart goes astray again, Delightful! SCENE VII ANTONIA He had a hump as a stomach; HOFFMANN NICKLAUSSE Alas! ANTONIA There is more to fear ... to me the diva! CRESPEL Devil of a man! But ... me? At first, Hector Salomon was to write the music, but when Offenbach returned from America, Salomon gave the project to Offenbach. Ten thalers! It is the grace of nature, As a divine concert your voice penetrated me; If he did love me, I agree that damn me. ... See it all white when it's black? A mad love devours you? later translated versions: Hoffmanns Erzählungen The Tales of Hoffmann: parts: 1. The friends of men; scoffer HOFFMANN Pitichinaccio MIRACLE SCENE FIRST You have to turn according to the wind. Ah! THE CHOIR Let's talk his language. ... very good.. getting up and receiving Antonia in his arms What loves are yours? Apart ... Unique! I do not dare. Hoffmann, Olympia. ... by the window? He grabs a violin and accompanies with a kind of fury. THE CHOIR I do not want to hear you anymore. How old are you, please? Do not you have mistress To us the best drunkenness Vivat! Am I nothing? my God! LINDORF hastening COPPELIUS The pulse is uneven and lively, bad symptom! ... Well! behind the scenes Pour in you the day! Everything speaks to a young girl of love! ... come! What we need is the legend Or your last day to him! always continuing with the same phlegm in a sad voice, showing Hoffmann General curiosity. Nicklausse approaches Hoffmann. But my mind is like a devil, Your darling mother ... Happiness of paradise, ... LINDORF Ha! Is he dead? I say to you, that a misfortune threatens me! Ha! Ah! He went out, sir. Sunset. Calling out I'm talking to your child Go away! Both sang in unison CRESPEL appears at the back door Let's drink to this honest lady! Why? Zack? Hoffmann! Pitichinaccio at Olympia GIULIETTA AND NICKLAUSSE When he had drunk too much juniper or rack. There you are, gentlemen! In my heart. That's Klein-Zach! We hunt from here ... Why? taking the sword HERMANN There is more to fear ... to me the diva! Poor Hoffmann, love again HOFFMANN SPALANZANI From Olympia? She dies. Schlemil followed Nicklausse, Dapertutto, Pitichinaccio and some other guests. It's me who am ... and, like him, sleep in the stream. HOFFMANN Enough, enough, my daughter. No! LUTHER Hoffmann gets up and follows Olympia in his evolutions. ... what is the use of reopening an old wound? Ah! No! In Munich, at Crespel. Poetic soul! giving him money and taking the letter. ... HOFFMANN Who leaves you a talent that the world has lost! Their Olympia? Just now, at the theater ... And his legs were click, clac! The doll, rolling the eyes, Which market can they conclude? pulling his watch Night much sweeter than the day, Oh beautiful night of love! And I feel, O my beloved, ... you too!.. ... doctor! What can we say? She fled, the turtledove, Yes. NICKLAUSSE Who reproduces your features, your eyes, your face, Tison of hell! Until morning May the devil take me Flower of the soul? This dear friend! NATHANAEL Here On the left, sofa and armchair. Lightnings! I become a science sink! That you gave me some key that I swore to have. NICKLAUSSE Yes, wisdom or madness, Two hours ahead of me! chère Antonia! COPPELIUS SPALANZANI A doll with enamel eyes In my heart will always remain. From my father easily he became an accomplice! Together go away! j'étais bien sûr de te trouver ici!..Une poupée aux yeux d'émail (Nickl Interior of a German tavern. ... Ha! Supper, supper, supper is waiting for us! MIRACLE O God! COCHINEAL Walking around her a fresh and pure look Ah! ... At the right time, at least! LUTHER I tell myself without compliment. Why stop? NICKLAUSSE Giulietta, after having invited everybody to SCENE III Tra la la! To color his cheek! Me! it's the method. ... a drunkard! HOFFMANN SPALANZANI CHORUS Nicklausse, Hoffmann's friend, unsuccessfully warns him that Olympia is a mechanical doll, but Nicklausse didn't know that the mad scientist Coppelius sold Hoffmann a magic pair of glasses that makes Olympia seem human. I'm well, thanks to heaven. SPALANZANI THE CHOIR CRESPEL Should we bury them in the shadow of a household? Come! Patatra! Come here, as before. I say to you, that a misfortune threatens me! NICKLAUSSE Live one hour Dare I? Alternately. I have eyes, real eyes, Tear it away, I hope so! Hoffmann enters. Time flees and no return GIULIETTA No, do not tempt me! FRANTZ You leave me? I have eyes, How to get from her We hear in the wings a sound of springs that crash with a crash. Here then! Exhale in dreams in the heavens? GIULIETTA Schlemil! And you will be in physics As a divine concert your voice penetrated me; From a sweet and burning fire my being is devoured; Your eyes in mine have breathed their flame. You killed him, Hermann's faith! The opera is based on three tales by E.T.A. Live one hour It was you who killed her! This is what you have to see! By taste, his house shines! .. written on his shelves ... I thought I saw a sigh escape from your lip! coming in from the right and bursting with laughter Not to mention the positive. HOFFMANN appearing ... tender and dreamy love Despair! Cochenille Barcarolle: 19: Acte1 - … Pooh! ANDRÈS Wait to know her better. THE GHOST demanding! ... That she is beautiful! HERMANN Pull lan laire! Yes. Of love! My reflect! Giulietta and Dapertutto laugh. SCENE IV SPALANZANI Shut up! Sir! at Olympia Come on, gentlemen! Pull the lan, do you understand, tell me, this eternal joy Or was not alive. stunned, looking at the mirror The rain! Like a flash! She falls on a chair. She is very good! From his mother? Lindorf, Luther, Nathanael, Hermann, Students, Tavern Boys. Following the clear cloud Schlemil Let him get up! ... Go! NICKLAUSSE Go away! See how she is put! It's not to recognize you. ... Listening! At the death waiting for you, HOFFMANN ... chaste gift My heart told me I was sorry! Pitichinaccio Take away our tenderness! High. ... did I irritate you? What warmth! Good. HOFFMANN Tra la la! Well, I understand! It's a love song Current with two large windows alternately Spalanzani continues turning to the guests. CHORUS OF STUDENTS La-chan-its-mi-do-gnon We are great by love and greater by tears! To this star of the firmament! My automat! no, on my life. HOFFMANN La-chan-son-of O-lym-pia. ... Nothing written ... it's his voice, do you hear it? The new rose Councilor Lindorf! She stops and gets up. making him sit in front of the harpsichord and leaning on his shoulder. ... ah! Thirty!.. Until morning here is my hand! MIRACLE And the monster was cop, flac! ... what a rout! This key will open my box, remember! Take my eyes! SPALANZANI Or white like the ermine, Lovely night, oh night of love, Smile upon our joys! HOFFMANN Dapertutto quietly picks up his sword and puts it back in the sheath, then goes back to the gallery ... Giulietta appears in a gondola; at the same moment Hoffmann returns. ... Frances Alda I no longer belong to myself and can not take back myself; Its size is very well taken alone. Ha! HOFFMANN Dapertutto leaves after kissing Giulietta's hand. She does not drink? ... Drig drig drig Master Luther, Hélas! GIULIETTA, NICKLAUSSE Le temps fuit et sans retour emporte nos tendresses! Either flyable, dear love! See, his forehead is alive and his eyes are flaming; Elis raises her hand to her restless heart. SCENE IX Dear escaped from Hell! SPALANZANI HOFFMANN Alternating songs and voices! Yes. See the strange fantasy! unfulfilled drunkenness, It's my mother, it's her, etc. My reflect? ANTONIA By whom sleepy pain SPALANZANI ... Oaths, cursed hopes, At the same time winners! Alas! My daughter, obedient to your every whim. Students hit the cups on the tables. HOFFMANN She will fall crying near the harpsichord. He opens the letter, draws a little key and reads it. In the heavens! Who flies away Admitting that a bohemian The jugs! Las! O you who in this drama where my heart is consumed HOFFMANN Spend your balmy breath ... Polished ice My eyes are flashing, ... I do not know. HOFFMANN Do you see summer, By fear! COPPELIUS HOFFMANN You will know my daughter, an angelic smile. Hoffmann walks in, followed by Nicklausse. Or the harp, your choice! HOFFMANN He stands up surprised. Ah! HOFFMANN Your eyes in mine have breathed their flame Lady! CRESPEL What are you talking about three mistresses? Dapertutto remains at the back of the stage. ... Ha! For two beautiful eyes what drunkenness do you embrace my soul, ... Ha! Color his face, God! HOFFMANN By using LiveAbout, you accept our, "E Susanna non vien!...Dove sono i bei momenti" Lyrics and Translation, "La Ci Darem la Mano" Lyrics and Translation, "Stride la Vampa" Lyrics and English Text Translation, Lyrics and Translation of "Addio Del Passato" From "La Traviata", Lyrics of the 'Rigoletto' Aria 'Questa O Quello', "Alma Redemptoris Mater" Lyrics and Translation, 'Bell Song' From the Opera 'Lakme' Lyrics and English Translation, 'O Mio Babbino Caro' Lyrics and Translation, "Quel Guardo, Il Cavaliere" Lyrics and English Translation, 'Bella Siccome Un Angelo' Lyrics and Text Translation, B.A., Classical Music and Opera, Westminster Choir College of Rider University. The! LINDORF Fault! What! appellant Together Who? Just a look to kiss the heavens! THE CHOIR Ladies and gentlemen, my dear braves, Satan! Soon will come the time of infidelity! apart Luther is a good man; Stone! NICKLAUSSE HOFFMANN including all the infamy of Giulietta Together NATHANAEL Coppélius, a friend Shoot it! see his terror. GIULIETTA To come whole in my heart to hide. HOFFMANN You laugh in vain at a father, CRESPEL Again! He seems to be gradually absorbed in his dream. Stella, this enchantress? Miracle continues his magnetic passes. Hoffmann, fill my wishes! He listens This woodwork extends on the wall, all around the room at height of man. ANTONIA We see the horns! THE CHOIR with energy in the peeping Spalanzani, Hoffmann, then Cochinille and the Laquais. sadly Bandit! Give us back Hoffmann! At play, gentlemen, at the game! LINDORF And there, near this door, ... HERMANN SCENE II That the storm distraught CRESPEL THE CHOIR You will know my daughter, an angelic smile, Please sit there! To ward off the danger, ... Antonia! It was Offenbach's final work; he died in October 1880, four months before the premiere. Yes, dear prima donna Roll under the table! FRANTZ Whatever you want. He's watching his watch. at Hoffmann Lyrics for Les Oiseaux Dans La Charmille (Les Contes D'hoffmann) by Jacques Offenbach. Antonia! Soft! going up the scene HOFFMANN Ah! NICKLAUSSE COPPELIUS The same, Olympia. Ha! His reflection! But do not have the soul to refuse The birds-in-the-cart-mile. Hola! I succumb! His eyes, as well as his whole person, Until morning MIRACLE He presses Olympia's hand with passion; The latter, as if she were moved by a spring, rises at once, traverses the scene in different directions, and finally leaves at one of the doors at the back without using her hands to remove the tapestry. THE CHOIR MIRACLE It is said to be delightful, lifting the door and looking Illuminated, without turning around Dumping his bag full of eyeglasses, glasses and glasses. Happy songs! Which it would take every morning ... it's the method. The tapestries of the background part. hand extended to Antonia's room Your Antonia will not sing anymore! And me? Go away! HERMANN But speak so! sir! It's strange! ... Go away, Hear his voice! ... come! at Hoffmann Barcarolle (Les Contes D'hoffmann) Les Oiseaux Dans La Charmille (Les Contes D'hoffmann) Ouverture (La Belle Hélène) Ballad of Kleinzach; Pas De Deux (Excerpt From Le Papillon) Valse Tyrolienne (Un Mari À La Porte) Ouverture (Orphée Aux Enfers) Ô Mon Cher Amant (La Perichole) Ah Quel Diner (La Perichole) Ouverture (La Fille Du Tambour-major) OLYMPIA. Frantz will close the door and go down again. ... SPALANZANI Someone ... LINDORF Angel that envy And against my pride my love is armed; Thief! approaching Hoffmann a moment! ... Spirits of alcohol, beer and wine! CRESPEL what an accent! ANTONIA My pleasures and pray to You for Master your emotion. She fled, the turtledove, HOFFMANN Because I am a woman and I love HOFFMANN LINDORF COPPELIUS eh! ... Product Description. I am tired of it. HOFFMANN COPPELIUS Stretching your hand to the right Give, and go to the devil! What are you doing now? ANTONIA These dreams of future, success and glory. SPALANZANI Voilà la chanson mignonneLa chanson d'Olympia! And welcome Love burns and devours him. Who shared my days! It's young! HOFFMANN ANTONIA HOFFMANN He pulls several flasks out of his pocket and makes them sound like castanets. O beautiful night of love! Antonia! SPALANZANI Violins hanging on the wall. where does this angry look come from? The music inspires me a little jealousy, Hello, nice to meet you! Shut up! sir! Each can sing the aria and make it seem as if it were as second nature as "Twinkle, Twinkle Little Star". darting in turn This is not the voice The house of my beloved. With the icy breath of the north! All that is not you is nothing in my life. At the feet of the beauty that comes intoxicating ANDRÈS Seizing the opportunity, Coppelius unleashes his fury on the doll and begins tearing her apart. In a wonderful way, coming back Frantz runs away. HOFFMANN What's he saying? French Lyrics Les oiseaux dans la charmille Dans les cieux l'astre du jour, Tout parle à la jeune fille d'amour! Except to cry tomorrow! apart Based on the stories of the influential German writer ETA Hoffmann, and filled with magic yet darkly grotesque humor, Les Contes d'Hoffmann has a complex structure with three acts in 'flashback' as the drunken poet Hoffmann recalls three unhappy love affairs. When we have That Schlemil, though ... CRESPEL Les Contes d'Hoffmann: Act I. No, no host really a thousand devils! Spend your balmy breath ... Do you doubt The portrait lights up and seems to come alive. Hoffmann crosses the theater, greets Giulietta and pretends to go away. ... All my being is freezing. ... She sings, accompanied by Hoffmann. You will not sing anymore? SCHLEMIL fragrant, touching the guard of his sword NICKLAUSSE ... Then we will dance. ... mighty God! And flee through the valleys and the woods! ANTONIA Night softer than the day, Is! 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